After years of contraction and store closures, Barnes & Noble in is writing a new chapter in its history. The nation’s largest bookseller has announced plans to open more than 60 new stores in 2026, a striking vote of confidence in brick-and-mortar retail and a clear sign that printed materials are enjoying a cultural comeback.
Barnes & Noble has announced it will open more than 60 new stores around the country. One of the most recent open in November in Hamilton, Ohio.
Once viewed as a casualty of e-commerce and e-readers, Barnes & Noble has steadily regained its footing under CEO James Daunt, who has emphasized locally curated stores, knowledgeable booksellers and community engagement. The company now operates roughly 600 locations nationwide and reports strong performance at recently opened stores.
“We’ve seen a real resurgence in interest in physical bookstores,” Daunt has said in recent interviews. “Readers want places that feel human again — where they can browse, discover and spend time. A bookstore should be a cultural space, not just a transaction.”
Industry analysts say the expansion reflects a broader shift in consumer behavior. After years of constant connectivity, many Americans are experiencing digital fatigue — exhaustion from endless screen time, notifications and scrolling. Printed books offer an antidote: no alerts, no blue light and a more immersive reading experience.
“People are deliberately stepping away from screens,” said Dr. Laura Mitchell, a media and consumer-behavior analyst. “Books provide focus and calm in a way digital content doesn’t. There’s something grounding about holding a physical object and engaging with it on your own terms.”
Younger readers are also fueling the trend. Social media platforms, particularly TikTok’s influential #BookTok community, have driven bestseller lists and encouraged a new generation to buy — and collect — physical books. Rather than replacing print, digital platforms are now helping revive it.
The expansion is expected to have a noticeable impact in Ohio, where Barnes & Noble has already opened new locations in recent years and is widely expected to continue growing its footprint. Ohio’s mix of suburban growth, college towns and strong library and reading culture makes it fertile ground for bookstores that double as community gathering places.
While independent bookstores remain cautious about competition, many observers note that Barnes & Noble’s new model relies less on uniformity and more on regional identity, allowing stores to tailor selections and events to local tastes.
For an industry once declared obsolete, the message is clear: the printed page still matters. As Barnes & Noble prepares to open dozens of new stores, it is betting that readers are ready to turn down the screen — and turn the page instead.
The Xenia Daily Gazette is inviting local writers and storytellers to take part in its first annual Holiday Short Story Contest, which is going on now. Sponsored by McIlvaine Realtors, the contest encourages community members to put their holiday reflections into words under this year’s theme: “What the holidays mean to me.”
The inaugural contest is open to anyone age 12 and older, and entries may be up to 800 words in length. Stories should be sent as attachments or pasted into the email body to editor@xeniagazette.com by December 15, 2025. All entries must include the writer’s name, address, phone number, and email address.
The winner will receive a $50 VISA gift card, courtesy of McIlvaine Realtors, and their work will be published in both the Xenia Daily Gazette and the Fairborn Daily Herald during Christmas week, giving the author a special spotlight during the holiday season.
To help select the winning story, the Gazette has brought in a familiar local voice: Gery Deer, longtime contributing journalist, columnist, and author of the Gazette’s “Deer In Headlines” series, who will serve as one of the judges. Deer is participating courtesy of GLD Communications in Jamestown, which has supported Reading Is Fundamental (RIF) for the last three years through its national literacy initiative.
Deer said the contest offers the community an exceptional opportunity to reflect on what makes the season meaningful. “This is the time of year when family means the most, memories become stories told to new generations, and sharing seems to be at the heart of the season,” he said. “We hope people will share their stories with us and maybe even inspire others to write something as well.”
The Gazette hopes the new contest will become a cherished annual tradition, welcoming writers of all skill levels—from students and first-time storytellers to seasoned creatives looking for a festive way to express themselves.
Entries will be judged on originality, clarity, and how well they capture the holiday theme. While participation is open beyond Greene County, organizers are especially hopeful for strong involvement from area schools, families, and aspiring writers eager to share what the holidays mean to them.
McIlvaine Realtors, known for their long-standing support of community programs, expressed enthusiasm about sponsoring the first-ever contest and encouraging a new generation of local storytellers.
GLD Enterprises Communications, Ltd. Named Agency of Record for Biotech Whistleblower Becky McClain’s New Memoir, “Exposed”
Jamestown, OH — October 30, 2025 — GLD Enterprises Communications, Ltd. (GLD Communications), a strategic media marketing and public relations firm based in Jamestown, Ohio, has been named the agency of record for biotech whistleblower Becky McClain, author of the explosive new book, “Exposed,” which hits shelves October 28 from Skyhorse Publishing.
Led by founder and creative director Gery L. Deer, GLD Communications will oversee all media access management for McClain, whose story has already sparked widespread interest. The agency will also manage social media engagement and coordinate interviews and appearances related to the book’s release.
“This is a story that demands attention,” said Gery L. Deer. “Becky McClain’s courage in speaking out—despite enormous personal and professional risk—embodies the kind of integrity we strive to amplify. GLD Communications is honored to support her mission and ensure her voice reaches the audiences who need to hear it.”
“Exposed” chronicles McClain’s harrowing journey from molecular biologist to whistleblower, detailing her legal battle against a major biotech corporation over alleged safety violations and retaliation. The book dives deep into the ethical and regulatory failures she witnessed, offering a sobering look at the intersection of science, corporate power, and public health. The topic has proven highly controversial, drawing attention from journalists, activists, and policymakers alike.
Consumer advocate Ralph Nader, who was involved in the original case, penned the book’s powerful foreword, lending further weight to McClain’s revelations. Early media coverage has included interviews with national outlets and investigative podcasts, with more expected following the book’s release.
McClain’s voice resonates throughout the pages of her book. “I’ve written this book as a witness to a system gone bad — a system that breaks people bad — a system that threatens the public’s health, workers’ rights, and America’s right to freedom of speech,” she states, underscoring the urgency and personal cost of her journey.
“Exposed” is more than a memoir—it’s a call to action. Through meticulous documentation and emotional candor, McClain invites readers to examine the intersection of science, ethics, and power. The book also explores the broader implications for workers in high-risk industries and the mechanisms that protect—or fail to protect—them.
The book is poised to become a touchstone in discussions about whistleblower protections and corporate transparency. As the biotech industry continues to evolve, McClain’s story serves as a stark reminder of the human cost of scientific advancement––and the ongoing risks to worker safety as well as public health in a world still marked by the pain and uncertainty caused by the COVID-19 pandemic.
Effective immediately, all media inquiries, interview requests, and public engagement related to “Exposed” will be handled through GLD Communications. For more information or to request media access, contact the agency directly via email gdeer@gldenterprises.net. “Exposed” is available now on Amazon.com and in bookstores. Questions about the publisher or distribution should be directed to the offices of Skyhorse Publishing, New York, New York.
Berea, KY – Writers from across the country will converge in Kentucky this fall for the 2025 Appalachian Writer’s Conference 2025 (AWC), an immersive, genre-inclusive gathering designed to sharpen craft and demystify the business of publishing. From agent pitch sessions to expert-led workshops on branding, contracts, and publicity, AWC equips aspiring and established authors alike with the tools to thrive. Founded by Martin Sisters Publishing President and CEO Melissa Newman, Ed.D., the conference has evolved into a nationally respected event featuring award-winning faculty dedicated to helping writers succeed, regardless of their path or project.
“I strongly believe that everyone has a story, and most people have more than one,” Newman explained. “What we offer at our conference is the opportunity for writers to learn from professionals and develop the skills they need for a successful career as an author.”
Returning to this year’s faculty are fantasy/romance author Summer Hanford, fiction novelist Sherry Robinson, crime thriller novelist Susan Furlong, and screenwriter Mark Daniels. Frank K. Newman, J.D., President and CEO of the law firm Cole, Cole, Anderson & Newman, PSC, will be back to share insights into publishing and media contracts. Gery Deer, GLD Communications‘s creative director and author of the Pulitzer-nominated op-ed series “Deer In Headlines,” also returns with a session on making a living writing professionally in between book projects.
Deer first attended in 2023 as a participant but transitioned into a faculty role and took on a support position last year. “This is a unique experience for writers, and the intimate setting is ideal, in my opinion, for a better learning experience,” he said. “Melissa has created an environment of support and education, and the faculty is part of the group, interacting and spending time with the participants as fellow artists.” Deer also noted that they continue efforts to improve the event based on participant feedback.
For example, a literary agent joins the faculty for the first time at AWC. Jackie Kruzie, author, literacy advocate, and associate literary agent at Focused Artists, will lead sessions on “Perfecting Your Pitch,” “The Dreaded Synopsis,” and a Lunch-and-Learn Session called “Should I Get an Agent?” She will also meet with authors for eight-minute pitch sessions. Another new addition is award-winning crime, thriller, and suspense novelist Trace Conger. In addition to class presentations, faculty will participate in the “Ask Me Anything” lunch panel to answer questions and discuss writing and publishing topics in a conversational setting.
Martin Sisters Publishing and the Appalachian Writers Conference present the Appy Inkwell Awards for the second year. “We want to give writers a chance to have their work recognized,” said Appy Inkwell Awards Coordinator, writer, and English Literature instructor Mary Ryan Wineberg. “We may even discover some new literary talent.”
This award celebrates outstanding achievement in fiction writing and offers talented writers the opportunity to showcase their creativity and skill before a supportive community of peers. Participants can submit up to 2,500 words of unpublished fiction, in progress or complete, that demonstrates originality, craft, and storytelling prowess. Eligible submissions include: a complete short story, a short story collection, or a piece of flash fiction.
The Dr. Pam Parry Lifetime Learning Award also debuts this year. It was created in memory of Dr. Parry, an integral presence within the AWC faculty and a trusted conference advisor whose remarkable life touched many. This award will celebrate someone whose passion for lifelong learning and generosity in the writing community make a lasting impact.
Dayton, Ohio – The Davis Linden Building, an historic landmark located at 400 Linden Avenue in Dayton, Ohio, has long been a beacon for creative professionals seeking customized commercial spaces. Owned by Matt Dieringer of Dieringer Development, the facility continues to thrive and expand, offering a nurturing environment for artists, businesses, sculptors, photographers, and other creative professionals.
Over the years, the facility has seen good times and bad. But Matt Dieringer’s vision for the Davis Linden Building has been, and will continue to be, one of growth and community. “We are committed to provide spaces that not only meet the unique needs of our tenants but also foster a sense of belonging and collaboration,” says Dieringer. This commitment is evident in the building’s diverse range of tenants, each contributing to a vibrant and supportive community.
One of the most notable tenants is Michael Bashaw, a musician and sculptor who has located his studio in the Davis Linden Building since the 1980s. Bashaw’s long-term presence is a testament to the building’s ability to provide a stable and inspiring environment for creative professionals. “My grandfather was a tenant in the building in the 1950s, so I was well aware of it,” says Bashaw. “I was originally looking for a space where I could work on my sculpture and do music rehearsals. I’m very grateful and very fortunate to be here.”
“I’m on year two and have already outgrown one space,” says tenant Tiffany Lewis, owner of Immortelle Bijouterie, an era-inspired jewelry and clothing shop. “I love the atmosphere here – the big windows, the open concept, and that there are other artists here.”
Becca Brumfield, the building’s office manager, shared her view as both a tenant and employee. She described The Davis Linden Building as a center of creativity, business, and community. Her husband, Trevor, operates one of Ohio’s last full-service typewriter repair and sales shops, TB Writers Plus, located in the building since 2023.
The dedication of the Davis Linden Building’s management to promote a sense of community among its tenants is one of its defining features. This collaborative spirit is what sets the facility apart from other commercial spaces. In that spirit, the management will soon unveil “The C2 Initiative,” based on the idea of Creativity and Commerce. The initiative is intended to expand on that sense of community with memberships, access to shared creative space, and much more.
As Dieringer Development continues to invest in the growth and development of the Davis Linden Building, the future looks bright for this creative hub. With its commitment to providing customized spaces and fostering a strong sense of community, the Davis Linden Building will undoubtedly remain a cornerstone of Dayton’s creative scene for years to come.
For more information about the Davis Linden Building and its available spaces, visit their website, www.davislindenbuilding.com/, or call 937-498-8635.
The Davis Linden Building is located in the Huffman Manufacturing District of East Dayton.
NEW YORK (AP) — Loretta Swit, who won two Emmy Awards playing Major Margaret Houlihan, the demanding head nurse of a behind-the-lines surgical unit during the Korean War on the pioneering hit TV series “M.A.S.H.,” has died. She was 87.
Publicist Harlan Boll says Swit died Friday at her home in New York City, likely from natural causes.
Swit and Alan Alda were the longest-serving cast members on “M.A.S.H.,” which was based on Robert Altman’s 1970 film, which was itself based on a novel by Richard Hooker, the pseudonym of H. Richard Hornberger.
The CBS show aired for 11 years from 1972 to 1983, revolving around life at the 4077th Mobile Army Surgical Hospital, which gave the show its name. The two-and-a-half-hour finale on Feb. 28, 1983, lured over 100 million viewers, the most-watched episode of any scripted series ever.
Rolling Stone magazine put “M.A.S.H.” at No. 25 of the best TV shows of all time, while Time Out put it at No. 34. It won the Impact Award at the 2009 TV Land annual awards. It won a Peabody Award in 1975 “for the depth of its humor and the manner in which comedy is used to lift the spirit and, as well, to offer a profound statement on the nature of war.”
Swit transforms the character of Houlihan
In Altman’s 1970 film, Houlihan was a one-dimensional character — a sex-crazed bimbo who earned the nickname “Hot Lips.” Her intimate moments were broadcast to the entire camp after somebody planted a microphone under her bed.
The early years of MASH saw Swit’s character much as the film predecessor had been. That would change as she was allowed to evolve and gain more substance.
Sally Kellerman played Houlihan in the movie version and Swit took it over for TV, eventually deepening and creating her into a much fuller character. The sexual appetite was played down and she wasn’t even called “Hot Lips” in the later years.
The growing awareness of feminism in the ’70s spurred Houlihan’s transformation from caricature to real person, but a lot of the change was due to Swit’s influence on the scriptwriters.
“Around the second or third year I decided to try to play her as a real person, in an intelligent fashion, even if it meant hurting the jokes,” Swit told Suzy Kalter, author of “The Complete Book of ‘M.A.S.H.’”
“To oversimplify it, I took each traumatic change that happened in her life and kept it. I didn’t go into the next episode as if it were a different character in a different play. She was a character in constant flux; she never stopped developing.”
“M.A.S.H.” wasn’t an instant hit. It finished its first season in 46th place, out of 75 network TV series, but it nabbed nine Emmy nominations. It was rewarded with a better time slot for its sophomore season, paired on Saturday nights with “All in the Family,” then TV’s highest-rated show. At the 1974 Emmys, it was crowned best comedy, with Alda winning as best comedy actor.
The series also survived despite cast churn. In addition to Swit and Alda, the first season featured Wayne Rogers, McLean Stevenson, Larry Linville and Gary Burghoff. Harry Morgan, Mike Farrell and David Ogden Stiers would later be added, while Jamie Farr and William Christopher had expanded roles.
Swit appeared in all but 11 episodes of the series, nearly four times longer than the Korean War itself, exploring issues like PTSD, sexism and racism. Swit pushed for a better representation for women.
“One of the things I liked, with Loretta’s prodding, was every time I had a chance to write for her character, we’d get away from the Hot Lips angle and find out more about who Margaret was. She became more of a real person,” Alda told The Hollywood Reporter in 2018.
The series ended on a happy note for Houlihan, who spends much of the finale debating whether she wants to head to Tokyo or Belgium for her next overseas post. Ultimately she opts to return to America and work at a hospital, citing her father — a career Army man.
Swit didn’t personally agree that was the correct decision for a military-minded official: “I didn’t think that was correct for my Margaret,” she told Yahoo Entertainment in 2023. “I think her next move was Vietnam. So I didn’t agree with that, but that’s what they wanted her to do.”
But the actor did get to write the speech that Houlihan delivers to her fellow nurses on their final night together, in which she says: “It’s been an honor and privilege to have worked with you. And I’m very, very proud to have known you.”
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“I was consumed with writing that. And I still get letters from women all over the world who became nurses because of Margaret Houlihan. To have contributed to someone’s life like that is remarkable,” she told Yahoo Entertainment.
During her run, Houlihan had an affair with Hawkeye’s foil, the bumbling Frank Burns, played by Linville in the TV version, and in Season 5, Houlihan returns from a stay in Tokyo engaged to a handsome lieutenant colonel, a storyline that Swit says she advocated for with the writers.
“I told them: ‘Can you imagine what fun you’re going to have with Larry when I come back to town and I tell him I’m engaged? He’ll rip the doors off of the mess tent!’ And that’s exactly what they had him do. So we were all of the same mind.”
Toward the end, Swit was tempted to leave the show. She played the role of Chris Cagney in a 1981 television movie, “Cagney & Lacey,” and was offered the part when it was picked up as a mid-season series for the spring of 1982. But producers insisted she stay with “M.A.S.H.” for its last two seasons.
Swit told The Florida Times-Union in 2010 she might have stayed with “M.A.S.H.” anyway. “You can’t help but get better as an actor working with scripts like that,” she said. “If you’re in something that literate, well, we got spoiled.”
In 2022, James Poniewozik, The New York Times’s chief television critic, looked back on the show and said it held up well: “Its blend of madcap comedy and pitch-dark drama — the laughs amplifying the serious stakes, and vice versa — is recognizable in today’s dramedies, from ‘Better Things’ to ‘Barry,’ that work in the DMZ between laughter and sadness.”
After the TV series, Swit became a vocal animal welfare activist, selling SwitHeart perfume and her memoir through her official website, with proceeds benefiting various animal-related nonprofit groups.
In 1983, she married actor Dennis Holahan, whom she’d met when he was a guest star on “M.A.S.H.” They divorced in 1995.
Swit was born in New Jersey
Born in Passaic, New Jersey, the daughter of Polish immigrants, Swit enrolled in the American Academy of Dramatic Arts, then paid her dues for years in touring productions.
In 1969, she arrived in Hollywood and was soon seen in series such as “Gunsmoke,” “Hawaii Five-O,” “Mission Impossible” and “Bonanza.” Then in 1972, she got her big break when she was asked to audition for the role of “Hot Lips.”
She would regularly return to theater, starring on Broadway in 1975 in “Same Time, Next Year” and “The Mystery of Edwin Drood” in 1986. She was in “Amorous Crossing,” a romantic comedy, at Alhambra Theatre & Dining in 2010 and in North Carolina Theatre’s production of “Mame” in 2003.
Kennedy is a theater, TV, music, food and obit writer and editor for The Associated Press, as well as a critic for theater, movies and music. He is based in New York City.
“The Great Gatsby,” F. Scott Fitzgerald’s tale of a tragic Long Island millionaire, was published 100 years ago to tepid reviews and disappointing sales. Since then, especially in the decades since World War II, it has become a staple of English classes and a fixture in popular culture. The novel has been memed, mocked, tweaked and reimagined countless times, a multifarious afterlife that I wrote about recently in The Times.
In my article, I explored some of the reasons for this longevity. But I didn’t focus on the most obvious one. In spite of what many critics of the 1920s thought, it’s a good book!
Let me be clear: I don’t mean a Great Book, though “Gatsby” may also be that. We tend to approach literary masterpieces in a spirit of deference and duty. They’re assigned in school or placed on authoritative lists of what we have to read before we die, which can be more off-putting than enticing. “The Great Gatsby” is profound and important, but it’s also all kinds of fun. Here are some of the kinds.
It’s a short, quick read.
At under 200 pages, “Gatsby” can be finished in the course of a rainy afternoon or a long plane ride. There’s a bit of wheel-spinning at the beginning, as our narrator, Nick Carraway, indulges in some philosophizing, but as soon as he mentions Jay Gatsby, whose name arrives in a cloud of mystery, glamour and foreboding, our interest is piqued. And Fitzgerald teases that interest, keeping the title character shrouded in an enigmatic aura until the very end of the book, revealing him — through Nick’s eyes — by means of a series of riddles, glimmerings and sideways glances.
It’s romantic.
Or at least Gatsby himself is. Nick describes him in the opening pages as possessing “some heightened sensitivity to the promises of life.” But modern life — crass, dishonest and materialistic — betrays those promises and destroys Gatsby’s life. Even though he’s a rich man with underworld connections, his motives remain pure. Above all, he’s driven by his love for Daisy, his former sweetheart, now married to the repellent Tom Buchanan. The tension between Gatsby’s noble spirit and the tawdry decadence of his surroundings brings the book to life. If Fitzgerald’s social criticism were less astute, the love story might seem corny; if the romance didn’t sing, the satire would collapse into cynicism.
It’s funny.
The Jazz Age reviewers who liked the book admired it as an acid-etched portrait of the times. Fitzgerald’s eye for hypocrisy and buffoonery and his ear for puffed-up speech remain sharp. Tom Buchanan, whose awfulness has a serious, violent side, is at the same time a brutally comic takedown of a certain kind of know-it-all blowhard, still familiar a century later:
“I read somewhere that the sun’s getting hotter every year,” Tom said genially. “It seems that pretty soon the earth’s going to fall into the sun — or wait a minute — it’s just the opposite — the sun’s getting cooler every year.”
F. Scott Fitzgerald could write.
Almost too well! “Gatsby” often shifts from brisk comedy to swooning lyricism to philosophical rumination within the space of a single page, somehow keeping a steady, conversational, modern tone. Fitzgerald knows when to accelerate the narrative with clipped, telegraphic sentences and when to draw it out in flights of elaborate description. The last sentence (“And so we beat on, boats against the current, borne ceaselessly back into the past”) is justly famous, but it follows a score of others that are at least as evocative, or even more so.
It has so many great characters …
Meyer Wolfsheim, the gangster who fixed the 1919 World Series. Jordan Baker, Nick’s feline sort-of girlfriend. Old Mr. Gatz, who shows up at the end to clear up the mystery of Gatsby (but really to deepen it). And of course the central triangle of Daisy, Tom and Jay.
… and so much to talk about.
There’s a reason English teachers love this book. But even if you only read it in school — or never did — there is endless fodder for discussion and debate, much of it still remarkably current. The state of the American dream, the bedazzling and corrupting power of money, the green light at the end of the dock.
I’ve been a freelance journalist for most of my adult life, going back to my days as a staff writer on a college newspaper. Since then, I’ve been published hundreds of times in everything from weekly newspapers to regional trade magazines. Much of my work consists of feature stories, opinion columns, and a few hard news pieces.
I was trained by an old-school newspaper editor who demonstrated consistent ethics and integrity. I was taught never to take a story to press without three primary sources and on-the-record statements from those directly involved to back up the information.
As the Internet became an easy way for the citizen journalist to publish news and information, credibility and fact gave way to sensationalism and uninformed opinion. Click bait replaced proper headlines. Soon, what was once referred to as “the press,” was suddenly renamed, “the media.” In this reporter’s humble opinion, they are not the same.
Webster’s Dictionary defines media (plural of the word medium) as a means of communication, such as radio, TV, newspapers, social, the internet, and so on. In other words, it refers to the delivery system rather than the content or its source.
For example, social media is a primary source of news for many Americans. Unless the information originates from a reputable news source, the content may have no oversight, no editorial integrity, no fact-checking, nothing.
You may have no idea where the information came from or how it may have changed. Think of it as a game of telephone. The more the word spreads, the less accurate it becomes. To reiterate, the social media platform (or app), such as Facebook, X, or Instagram, is just the vehicle – the medium. Reputable or not, the message originates elsewhere.
“The Press,” on the other hand, is guaranteed by the First Amendment of the U.S. Constitution. Like the three branches of government, it’s literally set up right there in black and white – which is why it’s called the Fourth Estate.
The Press should serve as a watchdog to help hold those in power accountable and provide the public with the information they need to make informed decisions. Trained Press journalists gather facts, verify information, and present it objectively across a variety of media.
A functional and qualified Press works within the realm of fact – not truth (that’s for philosophers). It should present information without bias or commentary (there’s a page for that and you’re looking at it now) and demonstrate integrity in the process.
Before I have people shouting at the screen or tearing up the paper, I agree the problem of misinformation spread by so-called news outlets is in epidemic proportions. Unfortunately, many news agencies have traded integrity for revenue, to say nothing about a complete disregard for journalistic expertise.
Cable news programs often fall into this category. They base their content on current news stories, targeting the biases and interests of a single segment of audience to grow advertising revenue. This is not news – it’s entertainment.
Even worse is when a news outlet censors content to favor the business or political interests of their owners. For example, once a paragon of investigative journalism, “The Washington Post” is rapidly losing credibility because of interference with its newsroom by its owner, Amazon founder Jeff Bezos.
Between social media, so-called citizen journalists, bloggers, and whatever else is out there, unvetted, unqualified, and often false content is cranked at an alarming rate. Their goal is to spread as much click bait as possible and deliver customers to advertisers – it’s all about money. That makes it hard to sift through the noise for qualified, factual news.
In the end, the Press should be rooted in ethics and accuracy. Sadly, many news outlets now prioritize profit, sensationalizing content to stay competitive in digital media. That’s muddied the journalistic waters, making it harder for the public to distinguish between fact and opinion.
My only advice is to check the source and remember that perspective isn’t the same as bias. News should be factual and accurate, not “fair.” There is no such thing as “fair and balanced” news. Fairness suggests compromise, whereas facts stand alone. The standard should be: is it factual, or not?
In a once abandoned sewing machine and bicycle factory on the corner of Linden and Davis Avenues, in an old, industrial section of east Dayton, Becca Brumfield carries cooler bags up two flights of stairs with two small children in her wake. At the end of a massive hallway on the top floor, they arrive at a door labeled “TB Writers Plus.” She taps a code into a keypad, an electronic lock opens, and the kids pop through the door ahead of her like prizes from a gumball machine.
They pass workbenches and shelves loaded down with antique typewriters. On an elevated platform at one end of the room, a long glass table is flanked at one end by a floor-to-ceiling shelf of refurbished typewriters for sale.
Becca lays out place settings and dishes up the food. Young Clayton, 6, and Sam, 5, who’d immediately started playing on typewriters and drawing, clamber to the table and plop down to eat. Her husband, Trevor, joins them. One of their employees sits down, too, and now it’s a typical evening at their typewriter shop.
Becca and Trevor Brumfield at TB Writers Plus in Dayton, Ohio.
The Brumfield family started down this path more than a year ago when Trevor bought a typewriter online, repaired it, and started using it. Before long, he lost it to his wife and, as he puts it, “Naturally, had to buy another one.”
“That turned into several more, which became 60, which turned into 100, and that became, I gotta sell some of these,” Trevor laughed. A full-time auto mechanic, it might seem odd for someone just 26 years old to start down such an arcane career path.
Over the last twenty years, typewriters have seen something of a renaissance. Fueled first by internet insecurities and one enthusiast’s declaration of a “Typewriter Insurgency,” writers, artists, business professionals, and college professors continue challenging the digital paradigm. “It’s not a booming industry,” Trevor admitted. “But the interest is there, and business goes in waves.” The industry got a secondary boost from the recent Taylor Swift video, “Fortnight,” which featured the megastar with an old Royal 10.
Taylor Swift’s Royal 10 in ‘Fortnight.’
Swift had them as props, but a few famous people are actual typewriter fans and users. Most notable is Tom Hanks, whose collection and passion for the machines are well known. The exposure has helped Trevor’s shop steadily grow. “I’m not sure exactly how many machines we have serviced in total,” he said, noting the expansion from his home garage last year. But we can typically get through 30-50 machines a month depending on what needs to be done to each.”
At last count, TB Writers Plus has inventoried more than 600 machines. Many are cannibalized for parts, and others are refurbished for sale. Trevor does the bulk of that work but has also trained Becca. An atmosphere of learning and openness permeates the shop. No organized training program exists, and factory training was discontinued years ago. Everyone who works here is an unofficial apprentice.
PART II – HE DOESN’T DO IT ALONE
Three part-time employees, Tyler, Keenan, and Torii, have been learning on the job, guided by Trevor’s experience. Each tackles the intricacies of these incredibly complex machines in their own way.
Tyler Lewis, of Fairborn, began as a technician in November 2023. “I mostly refurbish and repair, taking apart the machines, cleaning them, and putting them back together.” He learned about TB Writers Plus from an article in a local zine. A zine is, in his words, “An underground, independent magazine that people publish usually by using copy machines.”
Tyler should know since he’s the primary writer and publisher of his own zine, appropriately named “Tylerzine.” He was working at the Wright State University college newspaper and pitched his own article idea. “I met Trevor, immediately liked his openness, and ended up hanging out that first day for like six hours,” he said.
He sits at a typewriter loaded with purple ribbon and cranks out a short poem based on a prompt suggested by someone else in the room. Tyler’s passion and personal brand of artistic expression suit the typewriter world. “My entry point has always been the literary aspect of typewriters,” he said. “I am a devout believer in language, so what typewriters represent as a means of expression greatly appeals to me.”
Technician Keenan started as a hobby when Trevor was still working out of his garage back in 2023 but took some time off for school. The 28-year-old Kettering resident came back in May of this year. “I wanted to learn more about how typewriters work, and it was an enjoyable way to spend my time,” he said.
“I enjoy the simplicity of the process compared to modern technology that feels invasive at times,” Keenan explained. “It’s just a simple typewriter on the workbench that needs fixing. Nothing more, nothing less.”
Tori’s B checks out a 1930s era Smith-Corona manual.
At the workbench, technician Torii B, from Bellbrook, hovers over an antique Smith-Corona. She scrutinizes the machine, evaluating any repairs needed before it’s put up for sale. Torii is a 36-year-old marketing and design professional and working mom. Although she has freelance design clients, she left a full-time marketing job last May. She’s applied for permanent positions in her field, but nothing’s been a good fit so far.
About a month ago, a friend told her about an anachronistic typewriter repair shop whose owner sought part-time help. As it happened, she and the friend have a role-playing game involving type-written note cards and the adventures of two fictional journalists. Her interest peaked, she reached out to TB Writers Plus, and before long, she signed on as a part-time tech and general worker.
Her diverse background fits this very mechanically oriented job. “I went to school for visual communications,” Torii said, pausing momentarily. “But, before that, I studied mechanical engineering.”
“I like the physical act of working on the machines,” she explained. “Watching the machines move keeps my mind like a well-oiled machine. Each one is like solving a puzzle.” She points to three small containers, each filled with tiny machine parts, springs, levers, and knobs. Her task is identifying and cataloging them for future repair work. It might seem tedious, but there are no more typewriter parts in production. Every part salvaged is vital to the shop’s operation.
PART III – THE TYPEWRITER COMMUNITY
A team can only function well with good leadership, and this one is no different. Trevor is doing his best to help his crew find their way. “Each works a little differently than their coworkers and has their own skill set,” he said. “Tyler is really good at detail-oriented work. Keenan’s strength is getting a lot of work done quickly. Torii is still finding her place in the shop,” Trevor continued.” She’s helped us with inventory ideas and graphic design and handles other odds and ends around the shop.”
Trevor Brumfield adjusts a 1955 Royal Quiet De Luxe.
Trevor’s interests and skills are well-suited, and he clearly enjoys this work. But what he likes most about the job is the people. “All of our customers treat my shop like a safe haven. I’m not sure why, but people drop their guard when they walk in here,” Trevor explained. “We’ve heard some crazy stories from people; war stories, childhood traumas, business plans, just about anything you can think of.”
“We have customers that will leave work in the middle of the day just to come here to vent because they are having a bad day. Next thing you know, they’ve been here for 3 hours, and their boss is calling.”
Brumfield’s modesty won’t allow for his own kindness and personability as reason enough for people to gravitate to him and his family. “I don’t know what it is about this place that makes people feel so at home, but I don’t think it is just me – or any one person here. But as soon as they walk in, they get this look like they just had a weight removed from their shoulders.”
Customer and typewriter enthusiast, Greg Parker, of Urbana, Ohio, with two of his growing collection.
TB Writers Plus customers are an eclectic mix of artists, collectors, and businesspeople from all over the country. Greg Parker, for example, is from Urbana and has purchased three typewriters from the shop. The 40-year-old, married Army veteran has been collecting typewriters for about ten years. He currently has seven, including two Royals, an Underwood, and an Olympia. He explained his interest in the machines is mainly about the experience.
“I grew up with typewriters and used them when I was young,” he said. “But I really like the aesthetics.” Parker’s not a writer or artist but a welder by trade. “I do some journaling, and I have some memoir stories I’d like to put down on paper someday,” he said. “But I feel like I was born too late, like in another time. I enjoy the mechanics of the machines. The sound and the feel are very different from a computer. When you type something on paper, it’s like you really created it yourself.”
“Type-ins” attract enthusiasts from all over the country for a common purpose. TB Writers Plus has hosted several, including a costumed Halloween event and a 4th of July fireworks type-in.
Creativity and the personal connection with a simpler time is common throughout the typewriter community. For example, on Sunday, October 27th, TB Writers Plus is hosting a costumed “type-in” event, encouraging people to come dressed in the same era as the typewriters they bring. Type-ins are most easily explained as cruise-ins for typewriter enthusiasts. Scattered around the country, these predominantly social events, provide the opportunity for aficionados to talk typewriters, socialize, and even do some typing.
Back at the dinner table, the boys are no longer interested in their meals and require some encouragement. Trevor digs into his food as he and Becca talk about their day. Eventually, they would like TB Writers Plus to be independently sustainable as afull-time career. For now, they, their crew, and, of course, Clayton and Sam, are enjoying the work and the people who share in the simplicity and resurrection of a by-gone era. To learn more, visit www.tbwritersplus.com.
Author’s Note 1:While researching this article, I had the good fortune to meet many of the shop’s customers and supporters. The loyalty they seem to share is remarkable, not just for the typewriter community in general, but for Trevor and his staff in particular. I want to note, for the record, how honored I am that they welcomed me into the circle. It’s truly an amazing community.
Author’s Note 2:While typewriter shops are still operating throughout the U.S., their numbers are dwindling. Trevor Brumfield has been buying out the inventory, tools, and parts in an effort to stay ahead of those closings and keep up with demand.
Author’s Note 3:Update August 2025 – As of this date, TB Writers Plus has expanded its footprint in the Davis-Linden Building. The shop now includes a larger typing and show room, community space, equipment washing room, additional storage and much more. They’ve also seen a change in personnel in the past year.
I was a staff writer and later an editor for my college newspaper. During that time, I learned the single, most important lesson from all my years of education. Our administration-appointed supervisor once told me, “Whatever else you learn as you go through your college career,” she said, “learn to write and speak well. If you have that, you’ll be able to do anything.” She was right.
My mother also shared those views, though she had a head start by teaching me to read early. On the other hand, I would depend on my communication skills to pave my way to a multi-faceted career. She was determined to give me every possible advantage, mostly because she didn’t get them.
Literacy is one of the most critical indicators of a strong society. It reduces poverty, bigotry, ignorance, and social and professional inequality. It shouldn’t be limited to the academically gifted. Everyone should have the opportunity to learn effective communication.
Just because you don’t have an interest or aptitude for high academia, that doesn’t mean literacy is less important. I feel fortunate that I had the best of both worlds. I’ve always been an avid reader and writer and a lifelong student of all the sciences. But I also learned to rebuild a car engine, install a new water heater in my house, or change a faulty electrical outlet.
Every one of those tasks requires the ability to learn, understand, follow instructions, and cope with the unexpected. All of my “book learning” occurred while surrounded by some of the best tradespeople in the world. Even better, they were all teachers. One thing that has changed over the years is how literacy is emphasized in our public and private schools.
Do you remember when kids used to get in trouble for reading comic books at school? I will say “we” instead of “they” because I did this too. We put comic books inside large textbooks so we could read during class. From the teacher’s perspective, we seemed engrossed in our educational process. Instead, we were engaged in the exploits of Superman, Batman, or Spider-Man.
Some argued that even reading comic books was good for us because at least we were reading. But it was more than that. Comic books are a good literacy metaphor because they aren’t just about words, grammar, and sentence structure.
For our society to consider itself truly literate, we must understand language, not just the written word but communication. We also need to understand art, storytelling, and critical thinking. In an ironic twist, one way to do all that is by reading comic books. Many of the Batman stories from the 1930s and 40s are loaded with material you only find in today’s best crime novels by authors like Michael Connolly, James Patterson, and David Baldacci.
Unfortunately, some use the comic book analogy to justify spending hours on social media. That’s not the same thing. Reading is calming, focuses our minds, and relaxes our bodies. If anything, social media has dumbed us down and created an entire society nearly paralyzed by anxiety and inferiority. Scrolling doesn’t count as reading.
Still, literacy doesn’t require you to wade through “War and Peace,” “Catcher in the Rye,” or any other long-winded literary work. I supplemented my education by reading everything I could get my hands on. Whatever I had an interest in, I had books about it, encyclopedias, or topic-specific material – there was no internet back then. Now, resources are nearly endless, provided you learn the difference between credible and non-credible sources.
Advanced education isn’t required either. Truth be told, much of what I do for a living was self-taught – thanks to my early introduction to books. Self-education is mainly frowned upon in today’s society. I find it ironic that Benjamin Franklin, Thomas Jefferson, and others who wrote some of the most important documents in history would be unemployable by today’s arbitrary and unfounded standards.
My point is that American culture currently reads at a U.S. 5th-grade level. That’s unfortunate, ridiculous, and easily corrected. We must eliminate the stigmas of functional illiteracy, focus more on reading and writing in our schools, and spend more time with books than cell phones.
The Jamestown Comet 