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Not without honor, except at home

In Economy, Entertainment, Jobs, Local News, Opinion, State News, Uncategorized on October 9, 2013 at 9:45 am

DIH LOGOIn the Bible, the book of Mark, chapter 6, verse 4, Jesus says, “A prophet is not without honor except in his own town, among his relatives and in his own home.” The quote refers to the question of Jesus’s work being rejected in his own hometown. That was a couple of thousand years ago but, sadly, this same lack of local support and recognition is still rampant today.

We are constantly barraged by the pleadings by civic and business organizations encouraging us to “buy local.” But, when push comes to shove, even these organizations utilize outside resources more often than not.

The best examples of this kind of behavior are evident in the entertainment industry. I know dozens of performing artists, from musicians to specialty acts, who never seem to get work in their own home areas.

Most make a good living but will always have to travel, which is, of course, somewhat of a necessity for securing regular pay in that kind of business. At the same time, most of them offer much lower fees to work closer to home and yet are rarely taken up on the option in favor of “outside” help.

Someone out there is probably saying, “Well, maybe they’re just not very good.” There is an ignorance surrounding the concept that if someone chooses to remain in their home region, they must be less than expert at their particular job. If not, they’d have been moved to relocate due to excessive demand – untrue.

If these folks are as untalented as that statement implies, why would they have the opportunity to do so much elsewhere? An entertainer or other professional tends to earn far more money on jobs where travel and extended booking time is necessary than if they do a single project in their own community. So why would they be paid more and requested so often out of the region if their talents are less than ideal? The logic there makes no sense.

Take the country singing group, The Statler Brothers, for example. From the 1960s through the early 2000’s, these Staunton, Virginia boys sold millions of records, performed all over the world and yet never relocated from their home town. For more than 25 years, they even did an annual 4th of July concert there to raise money for local charities. And they’re not the only story like this.

Ignorance of local talent is not limited to the entertainment world, however. Other professionals are frequently dismissed in their own communities as well; that is unless they achieve some wider attention and suddenly discover people stacked like cordwood on their coattails.

The point here is that, regardless of the product or service needed, if civic and business organizations are going to practice what they preach, they need to utilize more local talent, and not just the big players on the block. Sadly, with so much “good-old-boy” nepotism at play, without some folks stepping outside the proverbial clique, this is unlikely to change anytime soon. When people do make the effort to connect with local providers, they tend to expect a lot of freebies or slashed pricing. That’s not only unfair, it’s downright disrespectful.

For example, say a chamber of commerce wants to hire a local printer to help with event materials for a charity fundraiser. Often, the organizers want to exchange the work for advertising or sponsorship credits rather than paying the printer’s quoted rates.

In most cases, local business will offer some kind of discount or even an exchange if given the opportunity, but it is disrespectful for the organizers to expect it. Your cause is not the reason the business owner opened his doors. Be prepared to pay for their services.

It would be great if small businesses, local entertainers and other professionals were more appreciated and supported in their home regions. The long term rewards to the community could be unimaginable.

T-Willy’s Yogurt Emporium celebrates first anniversary with customer appreciation day

In Business, Children and Family, Dayton Ohio News, Economy, Entertainment, Food, Local News, Senior Lifestyle, sociology, Uncategorized on September 17, 2013 at 5:52 pm
T-Willy's owner Wendy Preiser

T-Willy’s owner Wendy Preiser – Click the photo to watch WDTN-TV2’s Living Dayton host Shaun Kraisman as he takes on the adventure of T-Willy’s!

CENTERVILLE / WASHINGTON TWP. – When Wendy Preiser opened T-Willy’s Yogurt Emporium last year she invited patrons to come and express their creative, adventurous side – and that they did. As her way of saying, “thanks,” Preiser will celebrate the store’s first anniversary with a customer appreciate day from 11:00 a.m. until 10:00 p.m., on Saturday, September 28. Visitors to the unique, frozen yogurt shop can enjoy spin art, win door prizes, get a temporary tattoo or even enter to win a year of free yogurt.

Located in Washington Square Shopping Center, T-Willy’s offers a rotating menu of specially blended frozen yogurt flavors including Lemon Pound Cake, Salted Caramel Pretzel, Peanut Butter, and Key Lime Pie. Of course chocolate and vanilla are available for those who want an old favorite. All of the yogurt and toppings are sold by the ounce, in cups.   Mixing and matching is highly encouraged. There are always options that have no sugar added and most are gluten free.

T-Willy’s Yogurt Emporium brought about a brand-new way of enjoying frozen soft-served yogurt. Inspiration can be found everywhere inside the store, from the adventurous mural on the wall to the huge, tree-trunk toppings table.

According to Preiser, T-Willy’s frozen soft serve offers one of the highest counts of live and active yogurt cultures. The average 4-ounce serving contains less than 0.5 grams of dairy butter fat. “Yogurt is such a great basis because it is healthy, tasty and fun,” Preiser says. “My philosophy on food is that we should pay more attention to what we put in our bodies and less about what we leave out.  If we eat consciously, the occasional treat can be good for us physically and especially emotionally.”

Just one example of the favorite flavor creations is this months’s Oompa-Octoberfest.  It starts with swirls of vanilla yogurt and a squirt of peanut butter topping dusted with fresh coconut.  Then they throw on a scoop of chocolate covered pretzels and a dollop of cherry pie filling.  “Our store is about trying something new,” Preiser says. “There will always be something to intrigue and inspire our customers.”

T-Willy’s Frozen Yogurt Emporium is located at 6085 Far Hills Ave., across from Siebenthalers  and shares a parking lot with  Dorothy Lane Market. For more information go online to www.twillysyogurt.com or call 937-567-7818.

Jamestown business celebrates 15 years with televised ribbon cutting

In Business, Economy, Entertainment, Jobs, Local News, television, Uncategorized on September 3, 2013 at 6:39 pm
Deer In Headlines author and Living Dayton business contributor, Gery L. Deer in the "Stafford Jewelers Diamond Room" at WDTN.

Deer In Headlines author and Living Dayton business contributor, Gery L. Deer in the “Stafford Jewelers Diamond Room” at WDTN.

DAYTON, OH – On Thursday, September 5th, GLD Enterprises Commercial Writing in Jamestown will celebrate 15 years in business with a televised ribbon cutting event on the set of the WDTN-TV2 daytime talk show, Living Dayton. Viewers can see the program live on Dayton channel 2 or streaming online at http://www.livingdaytontv.com.

In March of 1998, Gery L. Deer, of Jamestown, started the business from the spare bedroom of a London, Ohio apartment. Originally called GLD Enterprises & Productions, the company had two areas of focus: on-site computer support and entertainment development. It later expanded into variety talent placement and commercial public relations services.

The name and focus have changed slightly over time and today GLD Enterprises Commercial Writing specializes in communications services for all types and sizes of business including commercial copywriting, public relations and marketing consulting. The company also has two separate divisions for IT support and entertainment development, each serving a limited and exclusive clientele.

In addition to the anniversary celebration, the firm is also launching a totally re-designed website at www.gldenterprises.net and recognizing the addition of its first outside sales and business development specialist. Karen Schroeder joined up in August to help develop house account projects and provide a liaison to the growing community of women-owned companies in the area.

An award-nominated freelance writer and entrepreneur for more than two decades, Deer has also served as the on-air business expert to the Living Dayton program since it started in February of 2012. His educational background is in engineering and writing, but he learned his business sense from his family’s entrepreneurial history.

GLD_Enterprises_ol“We’ve had to make a great many adjustments to the business over the years to keep going, sometimes even altering it into a part-time status,” Deer says. “But this is an important milestone for us and the local economy, particularly since we hire so many other freelance professionals, from graphics artists to research analysts.”

Deer says his company is one of the most streamlined independent businesses in the area. “We do everything we can to save money, get the most from our efforts and act as a partner to our customers in their long-term success,” he says. “We are grateful that we have such a loyal clientele and we hope the next 15 years give us the opportunity to help more Miami Valley businesses succeed and grow.”

More information about GLD Enterprises Commercial Writing and the televised event is available online at www.gldenterprises.net or by calling (937) 902-4857.

We see the 1950s with rose-colored glasses

In Entertainment, Opinion, psychology, sociology, Uncategorized on August 20, 2013 at 6:31 pm

DIH LOGOI recently read a CBS News poll asking people to choose a decade back to which they’d like to time travel. Overwhelmingly, the leading answer was the 1950s. What I can’t wrap my head around is, why?

Some people see those times as simpler, easier to manage, with fewer concerns and more security. Gas was 23-cents per gallon and you could get a really nice home for $22,000. A good price when you consider the average annual salary – hold onto your hats – just over $4,100.

So, yes, things were cheaper but only when compared to today’s prices. Actually, I think we have a fairly tainted view of the 1950s, America’s so-called, “Golden Age.” The “Leave it to Beaver” family unit and less-complicated lifestyles of those days simply wouldn’t work in modern society, for a number of reasons.

First, we had all the same problems back then that we have today, but we perceived and dealt with them differently. The country probably wasn’t as politically fractured as it is today, only because we were all riding a bit of a patriotic “high” after the end of World War II.

Technology or the lack thereof made a difference to our perceptions in those days too. There was the radio, a morning newspaper, an evening newspaper, sometimes an “extra” mid-day edition, and an evening television newscast. We didn’t get all the bad news of the world every moment it was happening. If we were going to tell people how our vacation was going, we had to mail out post cards.

According to the 1955 United States Census, America’s population was 166 million and the average unemployment rate was 4.9 percent, or about 81 million people. Today it’s about 314 million with a 7.4 percent unemployment factor, around 23 million.

So, barring some kind of economic cataclysm, as the population doubled, the unemployment rate followed suit. From a ratio standpoint, there were actually more people out of work 60 years ago than there are now. That’s good news, right? Sort of, yes.

What makes this a steeper hill to climb today is, once again, technology related. Labor-intensive, blue collar jobs like those at GM, NCR and other big manufacturers just don’t exist anymore. Many have been eliminated or sent overseas to take advantage of cheaper labor costs.

Additionally, many people – myself included – believe Americans to be lazier than ever and a good number of us simply don’t want to work. People are especially hard to motivate when employee benefits and pensions are a thing of the past and there is no longer any sort of job security.

Speaking of security, remember the “duck and cover” drills of the 50s and 60s? How much of a pointless endeavor was that? “Here, little Johnny, get under this desk so the Russian atomic bomb won’t hurt you.” Really, I mean, how dumb were we?

I suppose at least it gave us all something to do in the face of the unthinkable. In reality, there was nothing secure about the 50s, especially considering we were always on the brink of war with Russia and it only got worse as 1960 approached.

Personally, I think we spend far too much time looking back and not nearly enough looking forward. The past is done and you can plan for the future to some degree, but, reasonably, all we have is the here and now. Focus on making your present more fruitful and your future will follow along.

 

Extra! Extra! Examining the plight of print.

In Books, Business, Entertainment, Local News, Media, National News, Opinion, Print Media, Technology on August 13, 2013 at 4:49 pm

Deer In Headlines

By Gery L. Deer

electronic_printAre newspapers dead? Since most of the mass distribution for Deer in Headlines is still in print media, then chances are if you’re reading this it’s probably printed in a newspaper. But it’s also circulated in a fair number of online publications as well so if the publication you’re reading ever went belly-up, you can still find it on the web.

When Amazon’s chairperson, Jeff Bezos purchased The Washington Post, the publication’s circulation had dropped by 40-percent over the last year. A seriously risky bet, Bezos picked up the media icon for pennies and paid for it out of his own pocket. The intention was to preserve the paper in its current state, but it’s just as likely he will take it to the next logical level – all digital.

Far more costly to produce than their digital counterparts, print publications still have a purpose among certain die-hards and the older generation. There’s something about holding that printed page in your hand that has brings about an emotional response unique to each reader.

I’m kind of caught in the middle. I like having a printed page in front of me, whether it’s a book, magazine or newspaper. But I like the convenience of digital media too. If you’re stuck waiting to be seated at a restaurant or in the doctor’s waiting room, you can always bring up something to read on your smart phone or Kindle.

Eventually, pretty much all periodicals (newspapers, magazines, etc.) will be converted to digital, but in my opinion, it’s not just the media format that’s killing print publications. Less ambitious salespeople and a lack of knowledge among advertisers have also helped contribute to their demise.

Publications, like any other media, survive by the vicious circle of subscribers and advertising. The more subscribers, the more profitable the ad revenue, but if the content is lacking no one is going to subscribe. The numbers drop and ad revenue falls along with circulation.

Plus, have you noticed how much smaller your newspaper is these days? Most have shrunken both in sheet size and number of pages, with some content located online to drive people to the publisher’s website. As a practical consumer, why would you pay $1.50 for a publication that has less content than it did when it was 75-cents? Unfortunately, if you want to keep getting a print publication you’ll have to pay whatever price they ask.

Advertising rates are going up too, though that one thoroughly perplexes me. Lower circulation should drive down ad prices, but many publishers are trying to recover lost revenue by adding web-based exposure in conjunction with print packages. For some, it’s too little, too late, however.

An ever more computer-savvy population will eventually drive print to its ultimate end. Attempting to preserve it will be a costly and finally pointless endeavor but some people are making the effort, as Bezos seems to be. But then again, he’s a billionaire and that’s what it would take – deep pockets.

No business can continue to operate in the red, always hemorrhaging money. Unless the operator is treating it like a hobby and has the disposable income to keep it going, it will die.

If you want to keep the presses running on your local newspaper, I suggest the following. First, contact the publisher and remind them how important the paper is to the community. If you are part of a business or organization, make sure to send press releases and other news-worthy information to the editors so they have good, local content to draw from. Include detailed contact information and artwork (photos).

Demand local coverage written by local correspondents. Small, hometown papers can do better financially on their own level than national publications when they have good, locally-created content to drive circulation and advertising.

If you own a business or are part of a community organization, advertise in the local newspaper but do it correctly. You need to display your ad regularly and consistently in the same publication for at least several months before you see a response. Be consistent and be patient. And finally, go buy a paper! You’re helping the community and the economy.

 

Deer In Headlines is syndicated by and intellectual property of Gery L. Deer / GLD Enterprises Commercial Writing. All rights reserved.

 

Doc Barth’s Medicine Show, still captivating crowds

In Entertainment, National News, Opinion, Travel, Uncategorized on August 6, 2013 at 3:16 pm

DIH LOGOOver the last couple of decades, I have worked all over the country as a writer and performer. From small hometown stages to Hollywood television projects, I think I’ve seen just about everything. Recently, however, I had the privilege of working at a festival in northern Indiana alongside a gentleman who, in my mind, is the quintessential entertainment professional. His name is Dan Barth and for the last 40-plus years, he’s been in the medicine show business.

From the 1850s through the 1930s the traveling medicine show was one of the most effective advertising endeavors in history. Moving from town to town by horse and wagon, these performing salesmen practiced what has become the foundation of the most successful modern advertising.

With a few magic tricks, some ventriloquism and a plethora of bad jokes, the medicine show brought to town a live, often interactive stage performance long before there was radio or television. At the end of the show, the performer would give a lecture about the health properties of some kind of tonic, the tastiness of a box of candy, or any other positive attributes about whatever product he was selling.

The salesman’s performance was the way he got people to sit there long enough to listen to his advertisement. Now, if you think you’re too modern to fall for such things, you should know that this method still works today – every eight minutes or so during your favorite TV show. Think about it.

Dan Barth's traveling historical medicine show.

Dan Barth’s traveling historical medicine show.

With his 19th Century medicine show wagon in tow, Dan and his charming wife, Ulli, have traveled all around the country educating and entertaining crowds with the same kinds of routines used in the original presentations. From ventriloquism to magic, Dan told the story behind his artifacts and the history of the shows. I watched nearly every show he did over our four days together and marveled at how his audience was so taken with his work.

In today’s high-paced world of Wi-Fi, cell phone apps and squirrel-like attention spans, I was fascinated to watch people of all ages sit in the hot, Indiana sun and hang on Dan’s every motion and word. It was gratifying to see that people still have an interest in this kind of entertainment; a type that now seems relegated to the odd variety act or child’s birthday party and even then, thoroughly under-appreciated.

Not this weekend however. People loved watching Dan’s performance, me included. Ironically, I felt good about the fact that we are using some of the same routines in my family’s variety show. Now I think I finally understand why those simple routines are always so well-received.

But from my own standpoint, Dan’s presentation and his audience’s reaction to it allowed me to see more about my work – both in print and on stage – than I have ever noticed before. As a writer or stage performer, if our mind is in the right place, our ultimate goal is to entertain our audience.

I have always believed that most skilled writers and performers spend far too much time showing off their respective talents and not enough actually entertaining anyone but themselves; but not Dan Barth. His mind is always on the audience. He may be in it to make a living, but he really wants his audience to have experienced something unique for their time and he genuinely appreciates their attention.

Gery L. Deer (left) with Dan Barth

Gery L. Deer (left) with Dan Barth

Personally, I’ve seen just about every possible incarnation of sideshow, Wild West performance, medicine show and variety act. But there was something unique about this performance. It was unassuming, generous and genuine. It had my attention every time, even though, by the end of the first day, I could practically recite his script verbatim.

With a 25 minute show, he captivated the audience with no more than four or five routines. But, in the end, it’s not what you do or say on stage or in print, but how you present it. No matter how great your technical skill, there is always room to be more engaging to an audience. From stage shows, to newspaper articles to television advertisements, it’s the consuming audience that matters. After all, they’re the ones paying for the ticket.

50th Annual Annie Oakley Festival features unique Wild West performances

In Children and Family, Education, Entertainment, Local News, Media, Theatre, Uncategorized on July 22, 2013 at 7:51 am

AOWAS_1GREENVILLE, OH – Internationally famous Wild West performers from all over the United States will headline the 11th Annual Annie Oakley Western Arts Showcase for five live performances July 26-28 in Greenville, Ohio. Bullwhip artists, trick ropers, knife throwers and other experts in the Wild West arts will perform throughout the weekend beginning at 7 p.m. on Friday July 26 at 7 p.m. and followed by two Saturday performances at 1 p.m. and 6 p.m. and two more shows at Noon and 2 p.m. on Sunday. Each show is free with the $3 regular festival admission.

The program is the featured western entertainment at the 50th Annual Annie Oakley Festival, a city-wide celebration of the Darke County sharpshooting legend’s life and times. In addition to exciting performances, Saturday afternoon’s matinee show will include the National Whip Speed and Accuracy Exhibition Competition, the world’s only Bullwhip Fast Draw contest and a couple of world record attempts by some of the whip artists.

Presented in the spirit of the stage-style Wild West shows of the late 19th Century, each production will include some detailed history about how these arts came to be and who still practices them today. Some of the players include Guinness Book World Record holders Robert Dante and Chris Camp (America’s Got Talent, The Tonight Show), champion knife thrower Kirk Bass, of Xenia, Ohio, and his daring wife Melodee in the suspenseful Bass Blades impalement show, and much more.

Gery Deer (left) with Jim Karns in "The Vanishing Bandana" - The Brothers & Co. Variety Show

Gery Deer (left) with Jim Karns in “The Vanishing Bandana” – The Brothers & Co. Variety Show

On Saturday evening at 6 p.m., the Grand Wild West Showcase will feature the regular cast hosted by the music and comedy of The Brothers & Co. Variety Show. “We pull out all the stops on Saturday night,” says Gery L. Deer, an award-winning whip artist, writer and the producer of the Annie Oakley Western Arts Showcase. “The Brothers & Co. Variety Show is a one-of-a-kind musical variety show from a by-gone era, full of comedy, magic, and some of the best four-part music on stage today. There will be nothing else like this anywhere at the festival!”

Often compared to The Statler Brothers or Oak Ridge Boys, The Brothers & Co. offers audiences a brilliant combination of four-part vocals and Vaudeville-style comedy and family-friendly variety routines. Of course, without talented performers, none of this would be possible.

“The Annie Oakley Western Arts Showcase wouldn’t have lasted eleven years if it didn’t exhibit the best western arts entertainment anywhere in the state with real practitioners of each skill,” says Deer, who started the event in Jamestown, Ohio, back in 2002 as a Midwestern convention of western artists. “These are talented performers with genuine ability, no fakery, no tricks. Everything you see in our show is real.”

The event is sponsored by GLD Enterprises Commercial Writing, The Brothers & Co. Entertainers, Culligan of Dayton, and the Annie Oakley Festival Committee. All performances are family friendly and are presented indoors in the upper level of the Darke County Fairground Coliseum, 800 Sweitzer Street in Greenville, Ohio. For links to the festival and sneak previews of the performers plus more information go online to www.ohiowesternarts.org or call (937) 902-4857.

Jamestown music festival to raise money for village park

In Charities, Children and Family, Entertainment, Local News, Senior Lifestyle, Uncategorized on July 16, 2013 at 5:10 am
Singer, Songwriter 15-year-old Gabrielle Shuh will be featured with The Brothers & Co. Variety Show, just one of the bands performing during Samson’s Summerfest fundraiser for the Jamestown community park.

Singer, Songwriter 15-year-old Gabrielle Shuh will be featured with The Brothers & Co. Variety Show, just one of the bands performing during Samson’s Summerfest fundraiser for the Jamestown community park.

 

JAMESTOWN, OH – Last year the small, community park at the corner of Adams and Sycamore streets in Jamestown was demolished by the village citing safety concerns. Now, a group of dedicated residents have banded together to raise nearly a half-million dollars for its restoration beginning this month with a summer music festival.

From 11:30AM until Midnight on Saturday, July 20th, Samson’s Summerfest will be held at D&D Farms, 2466 Sutton Rd. in Jamestown, admission donation $10 per car. In addition to the 7 bands performing throughout the day, there will raffles, hourly 50/50 drawings, and professional face painters. A Kids’ Corner is planned as well, $5 for 10 tickets, with prizes for every participant. A bonfire rounds out the evening once the sun goes down.

“I used to play there when I was a kid and I wanted to take my own children there when I moved back to the area but it was torn down,” says event co-organizer Nick Starns. “We only have about $3,000 right now but we need a lot more to replace the park.”

While there is no exact or official figure available, an unnamed source has reported replacing the park’s basketball courts, skate park area, shelter house and other amenities would cost approximately $300,000.

Musical guests include Chained to the Sky, Desalitt, Suicide Ghouls, The Brothers & Co. Variety Show with Gabrielle Shuh, Drifting Aimlessly, and many more. Promotional considerations are provided by D&D Farms and GLD Enterprises Commercial Writing. For more information contact Nick Starns by calling 937-347-7377 or Anita Cheney at 937-675-2383.

(Click here for a video clip from WDTN – Living Dayton featuring Samson’s Summerfest)  Samson’s Summerfest Music Festival

The Suicide Ghouls

The Suicide Ghouls

"Chained to the Sky"

“Chained to the Sky”

NOTICE: The community park benefit concert is a private undertaking by concerned citizens and is in no way endorsed, sanctioned, operated or supported by the Village of Jamestown, the Jamestown Village Council, or the Jamestown Community Park Committee.

Those thrilling days of yesteryear

In Children and Family, Entertainment, Media, Movies, National News, Opinion, sociology, television, Uncategorized on July 9, 2013 at 8:39 am

DIH LOGOThe Lone Ranger first debuted in 1933 from the studios of WXYZ radio in Detroit, Michigan. Created by station owner George W. Trendle and writer Fran Striker, the character is said to have been based on the exploits of Bass Reeves, a real life federal peace officer who worked in Indian Territory during the late 1870s. Accompanied by his trusty Indian sidekick, Tonto, and themed by the thrilling rhythm of Gioachino Rossini’s operatic William Tell Overture, The Lone Ranger became an immediate success.

By the time that last surviving ranger hit the airways Wild West lore had been incredibly popular for more than two decades, particularly in dime novels, on the radio and in traveling shows. Originally aimed at children, it is estimated that more than half the audience for the program were adults, many of whom had grown up with stories about western legends like Billy the Kid, Bat Masterson and Wyatt Earp.

Unlike his historical counterparts who clearly had bad sides to their character, The Lone Ranger would be the ultimate good guy, with a mask to both maintain his anonymity and help confound corrupt government officials as to his true nature. In order to keep continuity for the character, the original writers created a set of guidelines that established who and what The Lone Ranger is meant to be. Some of the guidelines were a little silly, but others far ahead of their time.

For example, one of the rules stated that the Ranger would never be pitted against an adversary who was not American so as to avoid criticism from minority groups. In other words, it was already practicing political correctness. Another said that he could never drink or smoke and any “saloon” scenes had to be portrayed as cafes with waiters serving food instead of bartenders pouring drinks. One of the most interesting was a rule that stated he would always use perfect grammar and diction, devoid of slang and colloquialisms.

Many people who remember those days believe that actor William Conrad, star of the 1970s P.I. show, “Cannon,” was the original voice of The Lone Ranger on radio, but that is not so. In fact, Conrad voiced another famous western lawman, Gunsmoke’s Marshall Matt Dillon.

In 1949, the show made the ultimate leap from radio to the fledgling technology known as television, with Clayton Moore donning the famous mask and Native American actor Jay Silverheels as Tonto. After eight seasons on ABC, two of which with a different actor in the lead role, the show was cancelled in 1957. A year later, a theatrical feature was released starring the TV actors in a new adventure but the demand for the masked man never quite returned to its former pitch, though a couple of other failed attempts were made to return him to both the theatre and the small screen.

In 1981, a big screen version of The Lone Ranger was met with the harshest of criticism and dismal box office receipts. The movie failed partly because it was just a bad film, but mostly because the producers sued former star, Clayton Moore, to forbid him from wearing the signature mask in public appearances. Who says there’s no such thing as bad press?

The most recent incarnation of the Masked Man hit the silver screen this summer as a tongue-in-cheek Disney flick featuring Armie Hammer as Ranger John Reid (The Lone Ranger) and Johnny Depp as his trusted Indian partner. Unfortunately the campy tone that worked so well for Depp in the Pirates of the Caribbean series falls flat in this film, detracting from the nature of the characters and overshadowing the story.

Disney had the opportunity here to introduce two beloved characters of Americana to a new generation. But, instead of using the elements that made the show a success originally, they changed the formula and merely created another summer flop from a classic franchise. Hopefully, The Lone Ranger has not forever ridden off into the sunset and will get another chance to let audiences experience, “a cloud of dust and a hardy ‘Hi-Yo Silver!’”

 

Daredevil Performances: Is the spectacle worth the risk?

In Education, Entertainment, history, Local News, Media, National News, Opinion, sociology, Technology, television, Theatre, Uncategorized, World News on June 25, 2013 at 6:27 pm

DIH LOGODanger as a spectacle has long been a past time of human culture. Death-defying stunts have graced stages of theatres and circus tents for centuries. Never has there been a more awe-inspiring sight, however, than the dramatic aerobatics of stunt pilots and wing walkers. On Saturday, June 22nd, wing walker Jane Wicker and her pilot Charlie Schwenker died in a fiery crash during a performance at the Dayton Vectren Air Show in Vandalia, Ohio.

Wicker, who had been involved with aerobatics for more than a quarter-century, was sitting on the wing of the inverted plane as it dove, nose-first, into the ground and exploded. The aftermath of the crash left a burning wreck, two people dead and hundreds of spectators horrified.

News of the accident quickly spread around the country, landing on the lead story of every print, broadcast and online media outlet from the New York Daily News to the Huffington Post. Preliminary investigations of the cause of the crash from the Federal Aviation Administration and the National Transportation Safety Board are as yet inconclusive.

The very next day, high wire performer Nik Wallenda spent his evening engaged in a heart-stopping, quarter-mile tightrope walk across a 1,500 foot deep section of the Grand Canyon. As a record number of viewers tuned in to the Discovery Channel to watch, they were treated to more than a half hour of listening to Wallenda continually pray or thank God and praising Jesus with nearly every successful step. One might wonder if they would think he’s crazy too.

Harry Houdini

Harry Houdini

From escape artist Harry Houdini to motorcycle stunt rider Robert “Evil” Knievel, daredevils have long attracted crowds of spectators and generated millions upon millions of dollars for their promoters over the years. While Houdini eventually died of a ruptured appendix, he was nearly killed several times by his own hand as a result of escape attempts gone wrong. Many of his compatriots, like Wicker, were not so lucky; which begs the question, is the spectacle worth the risk? Apparently it is because the public keeps going to see them, like sadistic voyeurs almost hoping to see something go horribly wrong.

Local government, concerned about the staggering level of liability involved, does everything it can to discourage people from attempting these kinds of stunts by requiring miles of paperwork and expensive permits before allowing these kinds of activities on public lands. Some simply don’t allow it to happen at all.

Wallenda’s high wire walk, for example, didn’t actually cross over the Grand Canyon, but the gorge of the Little Colorado River Navajo Tribal Park. His 1,400 foot steel cable was actually suspended over land of the Navajo Nation, near Cameron, Arizona.

Could these daredevils have what Freud called a “death wish,” a desire, often deeply repressed, for self-destruction, accompanied by feelings of depression, hopelessness, and self-reproach? That might be said of Houdini, given his almost obsessive interest in death and the afterlife. But for most everyone else in this line of work, it’s about attention and a desire to push the envelope – that need for the adrenaline rush associated with doing what no one else is brave enough to do (or stupid enough, depending on your point of view).

In the end, there would be no market for these kinds of acts if the public wasn’t thoroughly fascinated by them. As for the performers themselves, it’s probably best to take into account Jane Wicker’s own words.

“Why do I do this? There is nothing that feels more exhilarating or freer to me than the wind and sky rushing by me as the earth rolls around my head,” Wicker once wrote. The day before the crash she told WDTN TV2, “I’m never nervous or scared because I know if I do everything as I usually do everything’s going to be fine.”

For those left behind, there is a great sense of loss when these daring entertainers pass doing what they love. But they will be remembered for their spirit and the smiles on the face of those who sat in awe of their skill and passion to defy the very fabric of nature.

Gery L. Deer is an independent columnist and business writer based in Jamestown, Ohio. More at http://www.deerinheadlines.com.